Sunday, March 22, 2026

NOW PLAYING At Spotify

 

Making the Most of the ‘Now Playing’ View to Encourage Discovery

9 May 2023

Five actions artists can take on each of their 


Songs to take advantage of the Now Playing listener experience.

As an artist, building a successful career is as much about creating music as it is about engaging your audience. If you are able to connect with listeners on a deeper level, you have the opportunity to turn them into real fans. 


On Spotify, you can showcase your creativity in a variety of ways, no matter what stage you’re at in your career. Whether it’s your newest track, an album anniversary, your latest merch drop, or upcoming tour dates, you can celebrate and promote it all on Spotify.

We call the space that listeners see when streaming a song on Spotify the Now Playing view. 



The Now Playing view was crafted to encourage discovery for listeners and to help artists form deeper connections with their audiences. Some listeners already know who you are and are coming to Spotify to listen to your music, but others may discover your work via our personalized programming or because your song is featured on a playlist. This means that a potential new fan is always at your fingertips.




Imagine your song is on a playlist, the listener likes what they hear, and they pull out their phone because they want to find out more. The Now Playing view presents the perfect moment to capture that listener’s attention by allowing them to dive deeper into your world. Listeners can not only find out what they’re listening to, but also who they’re listening to – with the artist’s bio, Canvas, lyrics, song credits, merch, and upcoming concerts.


Here are five actions you can take to make the most out of the Now Playing view:



1. Upload a Canvas

Canvas is a great way to draw listeners in through short, looping visuals that you can add to your tracks on Spotify. They’re like album artwork, for the streaming age. 


By uploading a Canvas, you have the opportunity to grab the listener’s attention and share the creative vision to your song, which can entice them to dive deeper. Listeners are 20% more likely to add a track to their playlist when they see a Canvas.


Upload your bio

Upload your bio




4. Include Song Credits When You Distribute Your Music






Whether you’re a performing artist, songwriter, producer, engineer, or musician, you deserve recognition for your contributions to the music you’ve helped create. Plus, fans love getting to know the people who had a hand in making the songs they love – song credits are here to help make those connections. Mobile app users can see and interact with song credits right within the Now Playing view.



We show all credits supplied to us by your distributor or record label. In order to ensure your information appears properly, check to make sure the correct metadata was submitted, and that your credits are up to date. For songwriters or producers with a Songwriter Page, make sure your publishing info is correct with your publisher. Additionally, if you’re an artist self-releasing through a distributor, you can ensure your credits are in order right as you’re submitting your music.

Song credits in the Now Playing view display three creators of the track, while the expanded view shows all collaborators.. 


Listeners can follow Spotify artist profiles for artists with connected pages directly via the Now Playing view, and the expanded view offers navigation to connected Songwriter Pages where these are enabled.




5. Connect Your Tickets and Lyrics to Your Artist Profile





Letting people know when your next live show is and giving them the opportunity to discover your lyrics is a great way to turn listeners into fans, and under the new Now Playing view, both live show listings and lyrics are accessible all in one place.



Make sure that your tickets are listed through one of our third party ticketing partners – this way listeners can find out when you’re playing near them, right while they’re listening to your music. 



To make sure your tickets are syncing to Spotify properly, view the On Tour section of your artist profile. Those same listings will be featured on the Now Playing view.



You can connect your lyrics by following these steps and using Musixmatch's free offering to make sure your fans can sing along. Fans even have the option to share snippets of your lyrics to social media platforms with share cards. Note: availability of lyrics may vary by territory and licensor.

Spotify for Artists helps you to develop the fanbase you need to reach your goals.



Include song credits

Wednesday, March 11, 2026

Band Metal Nusantara (Folk Metal) 2026 - TAMBRALINGA







Tambralinga adalah kumpulan metal Nusantara yang menampilkan lagu "Mahkota Bara Abadi (Takkan Gentar)", yang turut dirilis dalam versi remastered pada tahun 2026


Lagu ini tersedia di platform streaming seperti Amazon Music dan sering dikaitkan dengan label atau kolektif The Barbender.


Be one of the first to follow




Detail Utama:
  • Artis: Tambralinga
  • Lagu: Mahkota Bara Abadi (Takkan Gentar)
  • Genre: Metal Nusantara
  • Tahun Remaster: 2026




Lagu ini menonjolkan nuansa metal yang khas dan dirilis sebagai selain dari karya terbaru mereka.
Tok Janggut (Haji Hassan bin Panglima Mat Munas) ialah pejuang kemerdekaan Kelantan yang memimpin kebangkitan rakyat menentang British pada 1915 di Pasir Puteh. Perjuangan beliau berpunca daripada pengenalan cukai tanah/pokok yang membebankan dan sikap biadab British, yang berakhir dengan kematian syahid beliau dalam pertempuran di Kampung Saring.

Faktor Utama Penentangan (1915):
  • Peraturan Cukai: British memaksa penduduk membayar cukai tanah, pokok kelapa, dan hasil tani, yang membebankan rakyat.
  • Sikap Biadab Pegawai: Pegawai British di Pasir Puteh, Latif, bertindak kasar dan tidak menghormati adat tempatan.
  • Sentimen Anti-British:
     Pengaruh Perang Dunia Pertama (serangan British ke atas Turki Uthmaniyah) membangkitkan semangat jihad Tok Janggut menentang penjajah Barat.

Kronologi Perjuangan:
  • 1915: Tok Janggut dan pengikutnya (seperti Engku Besar Jeram, Haji Said) enggan membayar cukai dan memboikot pejabat kerajaan di Pasir Puteh.
  • Serangan Pasir Puteh: Tok Janggut berjaya menguasai Pasir Puteh dan mengisytiharkan kemerdekaan kawasan tersebut.
  • Serangan Balas British: British melancarkan operasi, membakar rumah penduduk, dan mengepung Tok Janggut di Kampung Saring.
  • Gugur Syahid: Pada 25 Mei 1915, Tok Janggut terkorban dalam pertempuran. Mayat beliau diarak ke Kota Bharu sebelum digantung terbalik di pasar sebagai amaran

Tambralinga mengabadikan kisah dan perjuangan Tok Janggut di dalam lagu mereka Warkah Perjuangan Nusantara....



Sunday, February 22, 2026

How to Pre-Release Your Track on TikTok

 


SoundOn now offers artists and labels the ability to pre-release their tracks on TikTok. Pre-releasing your tracks gives your TikTok audience exclusive access to preview and create with your music before the official release. Add TikTok Pre-Release to your marketing plan to build buzz around the new release, convert listeners into fans and to engage directly with your TikTok community.



What is pre-release?


Pre-release allows an artist to launch a 15-60 second clip of their song on TikTok before it is officially released on other distribution platforms. This allows your audience to start creating user-generated content, while you can promote pre-saves, build traction, and gain the momentum you need for your track to debut at a higher position and receive lucrative playlist placement on streaming platforms. Let your audience use your track as their background music, make their own viral dance challenge, or create a Duet or Stitch!



Does this mean that TikTok owns the rights to my track?

No, your track rights fully belong to you. By pre-releasing on TikTok, you are not giving the platform the sole right to the music released ahead of the official launch. You'll be able to promote your track on other social platforms and other forms of media.


Will I receive royalties for a pre-released track?

Yes! Absolutely. TikTok royalties can be collected from the time the clip is live on the platform. You will see both collected royalties and analytics data from TikTok from the pre-release date.




When is the best time to pre-release my track?

We recommend pre-releasing a song at least 7-14 days before its official release. This gives it enough time to build viral momentum, gives TikTok creators enough time to create their own content, and works as an effective marketing campaign to promote pre-save links.



Is this feature available to all music artists?

Yes. All SoundOn artists can select a pre-release date when they release a single, album, or EP.




Can I edit my pre-release clip or the pre-release date after it is live on TikTok?

Definitely! You can change the clip snippet or the date of a pre-release by editing the album on SoundOn. The pre-release date can be changed as long as the date is at least 24 hours before the official release of the track. The TikTok clip can be changed at any time before or after the official release.

Wednesday, February 18, 2026

Quick Bandlab Setting for Metallers 🤘🤘

 MAIN ISSUE: Muddy Low-Mid Build Up (200Hz–400Hz)

Your mix is congested in the low-mid region.


This causes:
-Vocal losing clarity
-Guitar sounding “boxy”
-Kick and bass fighting each other
-Overall mix sounding amateur instead of polished



It’s not a performance problem. It’s not even arrangement.
It’s frequency masking.



And this is extremely common in BandLab mixes because:
-Default EQ presets boost warmth
-Mobile monitoring exaggerates low mids



No proper subtractive EQ was done



🎯 Why This Is Killing The Mix


When 200–400Hz is overloaded:
• The vocal doesn’t cut through
• The guitar loses definition
• The bass sounds undefined instead of powerful
• The whole song feels “closed” instead of “wide”



🔧 EXACT FIX (In BandLab)




Do this step-by-step.


1️⃣ On Vocal Track

Open EQ:
High-pass at 80–100Hz
Cut around 250Hz (−3dB to −5dB)
Slight boost at 5kHz (+2dB) for clarity
Add air at 10kHz (+2dB shelf)
Result: Vocal will float above the mix.


2️⃣ On Guitar
High-pass at 100Hz
Cut 300Hz (−3dB)
Boost 2kHz slightly for presence
If distorted: cut 4kHz slightly if harsh.


3️⃣ On Bass
Boost 80Hz slightly
Cut 250Hz
Do NOT boost low mids.
You want: Low-end = tight
Mid clarity = clean
Not muddy warmth.


4️⃣ On Master (Very Important)

BandLab mastering presets often compress too hard.
If you're using a preset: Turn the intensity down.


Then:

Gentle multiband compression
Slight high shelf +1.5dB at 10kHz


Keep LUFS around -12 to -10 (don’t squash)
If your waveform looks like a brick — you're overcompressing.



⚠️ Secondary Issue 


-Reverb is washing the center.

-BandLab default reverb tends to:

-Add too much decay

-Blur vocal consonants


Fix:

Shorter decay (under 2.2s)
Pre-delay around 40ms
Lower wet mix under 20%
You want atmosphere — not fog.



🧠 Brutal Truth

Right now: It sounds like a good demo.
Not a finished record.
The arrangement is fine. The vibe is there. But frequency balance is not controlled professionally yet.



And that’s 100% fixable.



🔥 If You Want Pro Level (BandLab Only Strategy)
Mix at LOW volume.
Check mix in mono.
Use reference track 


Stop boosting. Start cutting.


Professional mixes are clean because they REMOVE mud, not because they ADD shine.

---------------------





🔥 CORE RULE FOR METAL


Metal is NOT about boosting bass everywhere.
It’s about:
Tight sub (60–80Hz)
Scooped low-mid mud (200–350Hz)
Aggressive upper mids (2k–5k)
Controlled compression
If low-mids are messy → metal becomes garage rock.




🎤 VOCAL (Metal Style – Punchy & Cutting)
EQ
High-pass: 90Hz
Cut: 250Hz −4dB
Cut: 400Hz −2dB (if boxy)
Boost: 3kHz +3dB
Boost: 5kHz +2dB
High shelf: 10kHz +2dB
Compressor
Ratio: 4:1
Attack: 10ms
Release: 60ms
Gain reduction: 4–6dB
Optional:
Light saturation if available.
Goal: Vocal must sit ABOVE guitars, not inside them.


🎸 DISTORTED GUITAR (Heavy & Tight)
EQ

High-pass: 100Hz
Cut: 250Hz −3dB
Cut: 350Hz −2dB
Boost: 1.5kHz +2dB
Boost: 4kHz +2dB
Low-pass: 10kHz
Panning
Double track
Pan L 80 / R 80


Important:

Do NOT boost lows on guitar. Bass handles the weight.

🎸 BASS (Boosted Metal Low End – Tight Not Flabby)


We’re splitting tone idea mentally:
Low power + Mid growl.

LAMB OF GOD- Laid To Rest 




EQ
Boost: 60Hz +4dB
Boost: 80Hz +2dB
Cut: 250Hz −4dB
Boost: 700Hz +3dB
Boost: 1.5kHz +2dB
Compression
Ratio: 5:1
Attack: 25ms
Release: 80ms
Gain reduction: 6–8dB



This gives: Sub power + speaker growl.
If it sounds boomy → reduce 80Hz, not 60Hz.
🥁 DRUMS (Modern Metal Punch)
Kick
Boost 60–70Hz +4dB
Cut 250Hz −4dB
Boost 3kHz +4dB
Boost 5kHz +3dB



Compression: Fast attack, medium release.
Kick must “click” through guitars.
Snare
Boost 200Hz +2dB (body)
Boost 2kHz +3dB
Boost 5kHz +3dB
Cut 400Hz −3dB



Add short plate reverb (under 15% wet).
Overheads
High-pass 200Hz
Boost 8kHz +3dB
Keep cymbals bright but not harsh.



🎹 SYNTH (Metal Atmosphere Style)


For ambient width like modern cinematic metal:
EQ
High-pass: 150Hz
Cut: 300Hz −3dB
Boost: 8kHz +2dB
Stereo
Pan wide or use stereo enhancer lightly.
Keep synth out of low mids. It should float, not compete.

ITS GOES BETTER WITH Multi Cab Pro- 1 x12 American Deluxe






🔥 MASTER BUS (BandLab Friendly)


DO NOT use heavy mastering preset.


Instead:
EQ
Cut 250Hz −2dB
Boost 8kHz +1.5dB
Multiband Compression
Low band: light compression
Mid band: moderate
High band: gentle
Target loudness: -10 LUFS max. Don’t brickwall it.
If waveform is flat rectangle → you killed dynamics.



⚔️ Metal Balance Formula
Kick + Bass = foundation
Guitars = wall
Vocal = blade
Synth = atmosphere

-------------------
If bass disappears on phone speaker → increase 700Hz on bass.


STOP!!!


🎛 HOW TO BOOST 700Hz IN BANDLAB (Mobile)


Step 1
Open your Bass Track


Step 2
Tap FX


Step 3
Add → EQ3-M or Parametric EQ
Use Parametric EQ (better control).



🎚 SETTING 700Hz CORRECTLY
In Parametric EQ you’ll see:
Low band
Mid band
High band



You want the MID band.
🎯 Exact Settings
Frequency: 700Hz
Gain: +2dB to +4dB


Q (Width): Medium (not too narrow, not too wide)


If Q is:
Too narrow → sounds honky
Too wide → affects too much range
Keep it moderate.



🔥 Why 700Hz?
Phone speakers cannot reproduce:
60Hz
80Hz
100Hz properly



So your deep bass disappears.
But 700Hz is “upper bass / low mid growl”.



When boosted slightly:
Bass becomes audible on small speakers
Still keeps sub power on big speakers
That’s how modern metal mixes translate.
Bands like Bring Me the Horizon and Architects use this mid presence trick.





⚠️ Brutal Warning

Do NOT boost 700Hz if:
Your bass already sounds muddy.
If muddy: First cut 250Hz (-3dB) 

Then boost 700Hz.
🎧 Quick Test
After boosting 700Hz:
Play on phone speaker.
Lower volume.
If bass still audible → correct.
If it sounds nasal → reduce to +2dB.



💀 Final Brutal Truth
Sub bass impresses in headphones. Mid bass makes money in real world speakers.
If your bass only sounds good on earbuds but vanishes on phone, you mixed for ego — not translation.









If mix sounds muddy → cut 250Hz everywhere slightly.



⚠️ BandLab Reality Check


BandLab stock plugins are limited.
To get closer to real metal mix:
Always mix at low volume.
Check in mono.
Compare to reference.

----------





🔥 BEST METAL FX CHAIN (BandLab PC)
On PC, always follow this order:
Gate → Amp → EQ → Compressor → (Optional Saturation)
Order matters.
If compressor is before EQ, you compress mud.





🎸 METAL GUITAR (PC Setup)
FX Chain:
Noise Gate
Amp Simulator (Modern Hi-Gain / Metal Lead Stack)
Graphic EQ or Parametric EQ
Compressor
AMP SETTINGS
Gain: 60–70%
Bass: 40–45%
Mid: 35–45%
Treble: 65%
Presence: 60%




Too much gain = blurry mix.
EQ (Parametric)
Band 1 → High Pass 100Hz
Band 2 → 250Hz −3dB
Band 3 → 1.5kHz +2dB
Band 4 → 4kHz +2dB
Low Pass → 10kHz
Pan: Main guitars L75 / R75
Not 100.



🔥 2-LAYER BASS (PC DETAILED VERSION)
Now we do this properly.
Duplicate your bass track.
Rename them:
Bass_SUB
Bass_GROWL




🥊 LAYER 1 — SUB (Foundation)
FX:
Compressor → Parametric EQ
EQ Setup:
Band 1: Low shelf 60Hz +4dB
Band 2: 80Hz +2dB
Band 3: 250Hz −4dB
Band 4: LOW PASS at 400Hz
Everything above 400Hz reduced.
This layer should sound: Deep and smooth. Almost like a sine wave.
Keep it 100% center.





⚔️ LAYER 2 — GROWL (Translation Layer)
FX:
Amp Sim → Parametric EQ → Compressor
Amp: Light drive, not fuzz.
EQ:
High Pass at 120Hz
700Hz +3dB
1.5kHz +2dB
250Hz −3dB
No sub frequencies here.
This layer sounds ugly alone. That’s correct.




🎚 Blend Method
Lower Growl track until:
You don’t notice it alone. But when muted, mix feels weak.
That’s correct blending.





🎛 WHERE EXACTLY TO SET 700Hz IN PC
Open Parametric EQ.
Click one of the mid nodes.
Drag it until frequency reads around:
700 Hz
Then adjust Gain +2 to +3 dB.
Set Q to medium width (around 1.0–1.5 if adjustable).
If it sounds nasal → reduce gain slightly.




🎤 VOCAL FOR METAL (PC VERSION)
Chain: Compressor → EQ → De-Esser → Reverb (send)
EQ: HPF 90Hz
250Hz −4dB
3kHz +3dB
5kHz +2dB
10kHz +2dB shelf
Compression: Ratio 4:1
Attack 10ms
Release 60ms
4–6dB reduction
Keep vocal center.




🥁 DRUM BUS (PC)
Kick: 60Hz +4dB
250Hz −4dB
3–5kHz +4dB
Snare: 200Hz +2dB
400Hz −3dB
5kHz +3dB
Overheads: HPF 200Hz
8kHz +3dB





🎧 EAR BUD + PHONE TRANSLATION RULE
Below 120Hz = mono
Never stereo widen bass
Never reverb on sub
Modern metal like Architects keeps low end extremely centered.
Width comes from guitars and ambience — not bass.




⚠️ BRUTAL PC MISTAKES
Overusing stereo widener
Too much master limiter
Boosting 250Hz everywhere
Maxing distortion gain
Mixing too loud
Always mix at low volume.
If it punches quietly, it will destroy loudly.

--------------------

Most people destroy their mix on earbuds because they:
Over-pan guitars 100% L/R
Make bass too wide
Put reverb in full stereo
Ignore mono compatibility
Earbuds exaggerate stereo width and low end imbalance. If your mix only sounds good on speakers, it’s not finished.
Let’s fix this properly.



🎧 THE CORRECT WAY TO PAN FOR EARBUDS (Metal Mix)
Think in 3 layers:
Center = Power
Mid width = Body
Wide edges = Atmosphere
If you don’t respect this hierarchy, earbuds will sound messy.



🔥 CENTER (Never Move These)
These stay 100% center:
Kick
Snare
Bass (sub frequencies always mono)
Lead vocal
If bass is stereo, earbuds lose punch instantly.
Brutal rule: Low frequencies below 120Hz must be mono.




🎸 GUITARS (The Correct Way)
Most beginners pan: L100 / R100
That sounds big on speakers but hollow on earbuds.
Correct metal pan:
Rhythm GTR 1 → L70–80
Rhythm GTR 2 → R70–80
Not 100.
Why? Because earbuds separate hard L/R too aggressively. You lose glue.
If you have 4 guitars:
Main pair: L80 / R80
Secondary pair: L50 / R50 (lower volume)
This keeps width but maintains center weight.




🎹 SYNTHS & PADS
Never full wide all the time.
Pads → L60 / R60
FX swells → automate from center to L70/R70
Arps → L30 / R30
Movement should be subtle, not extreme.




🎤 BACKING VOCALS
Double vocal → L40 / R40
Harmony stack → L60 / R60
Never hard pan harmonies unless stylistic.




🎧 REVERB RULE (Most Important)
Earbuds exaggerate stereo reverb.
If reverb is too wide: The mix sounds blurry.
Correct method in BandLab:
Keep reverb wet under 20%
Use shorter decay (under 2.2s)
If possible, keep reverb slightly narrower than full stereo
Reverb should feel behind the vocal, not around your head.





🧠 THE MONO TEST (Brutal Test)
In BandLab:
Temporarily collapse mix to mono (or use mono plugin if available).
If:
Guitars disappear
Synth vanishes
Vocal drops
Your stereo information is phase-cancelling.
Fix: Reduce width. Avoid stereo wideners.




🎯 Earbud Sweet Spot Formula
Center (0%) Kick, Snare, Bass, Lead Vocal
Mid Pan (30–60%) Backing vocals, secondary guitars
Wide (60–80%) Main guitars, pads
Never 100 unless special FX moment.



⚔️ Modern Metal Reference Behavior
Listen to how tight and centered low end is in bands like Bring Me the Horizon or Architects.
Even when guitars are wide, the punch stays in the middle.
That’s why it translates on:
Earbuds
Car speakers
Phone speaker



🚨 Biggest Mistake I Hear in BandLab Mixes
People pan to create width.
Pros use:
Contrast
Frequency separation
Automation
Width comes from arrangement and EQ — not extreme panning.



🔥 Final Brutal Truth
If your mix only sounds powerful when you turn it loud, it’s not balanced.
A correct pan mix:
Sounds full at low volume
Keeps punch in mono
Doesn’t feel dizzy in earbuds

NOW PLAYING At Spotify

  Making the Most of the ‘Now Playing’ View to Encourage Discovery 9 May 2023 Five actions artists can take on each of their  Songs to take ...